My Fair Lady

The first encounter between Professor Henry Higgins, the brilliant, crotchety, middle-aged bachelor who is England’s leading phoneticist, and Eliza Doolittle, the little cockney gutter sparrow, takes place near the Royal Opera House, Covent Garden, late on a cold March night. Eliza is selling violets. Higgins is out on his endless quest for new dialects of London’s speech. A handsome young aristocrat, Freddy Eynsford-Hill, takes no notice of her when she tries to sell him violets. Colonel Pickering, also a linguistic expert, comes to stay with Higgins at his flat. Eliza’s squalid father, Alfred Doolittle, outlines his optimistic if somewhat unorthodox philosophy of life in the rousing With a Little Bit of Luck.
Eliza comes to Higgins’ flat to be instructed in the English language, in order to transform herself into a “lidy.” Pickering challenges Higgins to “metamorphose the guttersnipe into a paragon of verbal correctitude.” Higgins looks upon her not as a person but as raw material for his experiment; he drills Eliza for weeks. As no hint of progress is made Eliza loses her courage, Higgins loses his temper and even Pickering’s patience wears thin. In her anger and futility, Eliza creates a set of mean fantasies involving her professor.
At last she improves, and they all proclaim the victor in The Rain in Spain. In the flush of his first success, Higgins puts Eliza to a preliminary test. He will introduce her to his mother’s snobbish guests at the Ascot Race Meeting the following week. Eliza expresses her own towering exaltation in I Could Have Danced All Night. While not romantic, her sense of triumph is tied up with a new feeling for Higgins. Eliza, strikingly pretty in her new gown and hairdo, appears at the races. Instructed to restrict her conversation to the weather and everyone’s health, she says her little set pieces flawlessly. The illusion is shattered when her enthusiasm for the horse she is backing impels her to indulge in a bout of violently unladylike cheering.
Freddy Eynsford-Hill falls hopelessly in love with the new Eliza, and later pours out On the Street Where You Live at her window. Six weeks later Higgins, in a crucial test, presents Eliza at a full-dress Embassy ball. She is the object of admiration and everyone speculates on her identity. It becomes obvious that Eliza must charm Karpathy, a European phonetics expert. At the height of the ball, Karpathy invites her to dance and comments on the pureness of her English.
Pickering and Higgins, back at the flat, indulge in self congratulation. Neither of them takes into account Eliza’s personal accomplishment in the matter. Eliza has absorbed the sophistication and the courage to see the unfairness of this, and she blows up, demanding recognition. The Professor is not so much affronted as astonished; it is as though a statue had come to life and spoken.
Infuriated and frustrated, Eliza storms out of the house. She encounters Freddy and turns her fury on him. Eliza aimlessly walks the streets of the town, the remainder of the night. She encounters her father, drunk and dressed for a fashionable wedding. He has become wealthy, and Eliza’s mother is marrying him at last. Doolittle gives an account of his celebrations in Get Me to the Church on Time.
Higgins discovers that he is hurt because Eliza left him. He meets her at his mother’s flat where she has gone for advice. They argue violently and she storms out. It is only a moment after her departure that Higgins finally wakes up to the fact that Eliza has become an entirely independent and admirable human being. He realizes that he will have a difficult time getting on without her. This he admits to himself in I’ve Grown Accustomed to Her Face.
Back at his flat he sinks into his chair prepared to face a bleak, lonely future. But just then-a moment before the final curtain falls-a figure emerges from the shadowy corner of the room, and Higgins recognizes Eliza. He leans back with a long, contented sigh and speaks softly: “Eliza? Where the devil are my slippers?”


Eliza Doolittle – Beth E. Tengowski

Freddy Eynsford-Hill – Michael McGovern

Mrs. Eynsford-Hill – Kim Kuchler

Colonel Pickering – Peter Moody

Henry Higgins – Bill Te Winkle

George – Bob Deyo

Harry – Brian Leffin

Jamie – Dennis Leffin

Alfred P. Doolittle – Glenn Schultz

Mrs. Pearce – Char Koehler

Mrs. Hopkins Lynn Zeilbeck

Mrs. Higgins – Lorraine Selinski

Dr. Themistocles Stephanos -Don Held

Lady Tarrington – Karin Gunderson

Sir Reginald Tarrington – Michael Eberhardy

Professor Zoltan Karpathy – William R. Lund

The Queen of Transylvania – Susan Lautz

Cockneys – Neil Beaton, Jackie Blindauer, Lynda Ellsworth, Laurie Kretchmar, Jason Methfessel, Julia Meyer, Kat Moungey, Kyle Rosenwald, Ben Trager, Brittany Van Remortel

Aristocrats – Crystal Bueter, Amy Eberhardy, Eric Eberhardy, Veronica Hilke, JoAnn Kudirko, Susan Lautz, Donna Riemersma

Higgin’s Servants – Crystal Bueter, Michael Eberhardy, Don Held, Veronica Hilke, JoAnn Kudirko, Susan Lautz, Donna Riemersma

Production Staff

Director: Ralph Maffongelli

Music Director: Dan Ognavic

Choreographer: Sherry Kunde

Stage Manager: Karen Held

Set & Light Design: Dustin L. Uhl

Costume Design: Benjamin J. Gartmann

Sound Design: Scott Heck

Master Electrician: Lacie Hexom

Properties: Karen Held

Make-Up: Cathy Perronne

Paint Master: Angelique VandeBerg

Lobby Photography: Irish Studios


Conductor, Keyboard & Violin: Dan Ognavic

Clarinet: Curt Hancock

Trombone: Jeff Quail

Trumpet: Tom Engman

Flute: Cathy Perronne

Drums: Rob Vandersteen

Percussion: Sue Reichel