42nd Street

42nd STREET is a big, bold musical set in 1933, that celebrates the stuff that dreams are made of. The curtain rises on Andy Lee, the dance director who is auditioning kids for the chorus of ‘Pretty Lady’-Audition. The show’s writers, Bert and Maggie, are pleased with what they see on stage, but they warn the dancers that at $4.40 per seat, the audience will demand some spectacular dancing. While she has gathered up her courage for an hour at the stage door, young Peggy Sawyer has missed the audition. Billy, the romantic lead, tries to help her see the producer-Young and Healthy.
The producer, Julian Marsh, has no patience for latecomers and Peggy rushes off the stage. Meanwhile, Bert and Maggie try to encourage Julian about the show’s prospects of success. He is worried about some of the cast, especially Dorothy Brock, the leading lady. Her last hit was ten years earlier, but her sugar daddy, Abner Dillon, is backing the show.
Just then Dorothy and Abner arrive. Dorothy gushes to Julian that she has “dreamed of the day when I might work with the King of Broadway.” Nevertheless, the “king” will not be pushed around, and Julian suggests that Dorothy audition. Abner defends Dorothy and reminds Julian that Dorothy does not have to try out for anyone-Shadow Waltz.
Realizing that she has forgotten her purse, Peggy returns to the stage. Maggie invites her to lunch with three of the girls. The five dance off stage. As they settle in at the Gypsy Tea Kettle, the girls are amused by Peggy’s naïvete. They follow with an amusing account of the Broadway facts of life, and dance back to the theater-Go into Your Dance. This number evolves into an audition for Peggy. When Julian walks in he is angry to see Peggy disrupting things again, but he is struck by her remarkable talent. He orders everyone back to work and tells Andy to hire Peggy for the chorus.
Dorothy and Billy begin their rehearsals. The love scene they are rushing through comes under the scrutiny of Abner. He objects to it and handshakes are substituted for kisses-You’re Getting to be a Habit With Me.
Peggy, weak and overcome by an exciting day, faints on stage. She is carried to Dorothy’s dressing room where Pat Denning, Dorothy’s real boyfriend, is waiting. Dorothy walks in, and misreading what she sees, thinks that Pat is two-timing her. Julian suggests that Pat leave town.
Word arrives that the Atlantic City run of the show has been cancelled and that Philadelphia has been substituted. The company packs up for the Arch Street Theatre-Getting Out of Town.
Dress rehearsals begin in Philadelphia-Dames. Julian congratulates the kids on a number well done and sends the cast off to relax.
The cast is throwing a party and Peggy asks Julian if he is coming. Captivated by her charm, Julian decides to go. Dorothy, who misses Pat, has drunk a bit too much, and tells Abner to take his money and leave. Abner is ready to close the show, but the kids are able to talk him out of it.
‘Pretty Lady’ opens spectacularly with We’re In the Money. Then Dorothy rushes onstage to lead the Act I finale. She is accidentally knocked down by Peggy and can’t get up. A furious Julian fires Peggy and cancels the rest of the performance.
Act II opens with a doctor telling Julian that Dorothy’s ankle is broken. Fear and panic spread through the cast. Julian says he will close ‘Pretty Lady’ for good, but the cast won’t give up-Sunny Side to Every Situation. The cast thinks that Peggy can save the day. Julian finally agrees that Peggy might be able to take over for Dorothy. Peggy has already left for the train station and Julian rushes after her. Julian convinces Peggy to return-Lullabye of Broadway.
Peggy has exactly 36 hours to learn 25 pages, 6 songs and 10 dance numbers. As Julian says, by the next evening, he’ll have either a live leading lady or a dead chorus girl!
At long last the Broadway curtain opens on ‘Pretty Lady’-Shuffle Off to Buffalo. The show is a fabulous hit and Peggy Sawyer is a sudden sensation. Julian reprises the glory of “42ND STREET.”


Andy Lee – Kevin Horne

Maggie Jones – Jean Quicker

Bert Barry – Mark Mattek

Mac – Scott Heck

Phyllis – Sandra Kasten

Lorraine – Julie Creamer

Anytime Anne – Kathleen Beuttenmueller

Billy Lawlor – Justin D. Deehr

Peggy Sawyer – Laura Whitman

Julian Marsh – Michael D. Traas

Dorothy Brock – Debra L. Weiher

Abner Dillon – Harold C. Lang

Pat Denning – Paul J. Schauer

Thugs – Partick T. Siebold, Steve Pitsch

Doctor – Steve Pitsch

Ensemble – Ruth Blasel, Barb Johnson, JoAnn Kudirko, Cheryl Kuhn, Tammy Ladwig, Sharon Leider, Leslie Mueller, Janet Palmer, Steve Pitsch, Patrick T. Siebold, Jim Zynda



Production Staff

Director: Ralph Maffongelli

Musical Director: Janice Westphal

Choreographer: Pamela Rutherford

Stage Manager: Deb Krause

Designed by: Bernard J. Markevitch

Costume Design: Joyce Nery

Light Design: Don Zastrow

Master Electrician: Ron Bauman

Sound Design: Ken Rohde

Properties: Betty Segor,Lynne Zimmermann

Special Prop Consultant: Phil Segor

Make-Up & Hair Design: Justin D. Deehr

Elevator Operator: Scott Maki

Pin Rail: Dave Kucensky

Stage Crew Chief: Dave Richardson

Master Carpenter: Phil Zimmermann, Phil Segor, Lloyd Sargent


Conductor/ Pianist: Janice Westphal

Bass: Ed Lutze

Saxaphone: Rosemary Tellen

Percussion: Rick Van Haveren